奥利弗·赫林 OLIVER HERRING | @纽约大都会博物馆 The Metropolitan Museum of Art

"栩栩如生：雕塑、色彩与身体（1300年至今）"

Like Life: Sculpture, Color, and the Body (1300–Now) 
展期 / Duration: 2018.3.21 - 2018.7.22

地点 / Venue：大都会博物馆，纽约 The Metropolitan Museum of Art, New York

BANK荣幸宣布艺术家奥利弗·赫林参展3月21日于纽约大都会博物馆布劳耶分馆开幕的展览 “栩栩如生：雕塑，色彩和身体（1300至今）”。这个开创性的展览重新审视了从14世纪欧洲到当下全球范围内的雕塑创作，探索了艺术家如何使用雕塑语言来试图重现现实生活中的人体。此次大型借展呈现了大都会博物馆丰富的欧洲雕塑收藏和现当代艺术馆藏，总计约120件作品，此外还有来自国内外博物馆和私人收藏的重要作品。展览将持续至7月22日。

BANK is pleased to announce artist Oliver Herring's participation in the exhibition Like Life: Sculpture, Color, and the Body (1300–Now) opened on 21 March and continuing through 22 July, 2018. Seven hundred years of sculptural practice—from fourteenth-century Europe to the global present—are examined anew in this groundbreaking exhibition. The exhibition explores narratives of sculpture in which artists have sought to replicate the literal, living presence of the human body. On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

照片雕塑作品“Patrick”创作于2004年，由聚苯乙烯，安置板和照片制作而成。在这个开放性项目正式实施之前，艺术家与从未谋面的帕特里克进行了交谈，邀请他参与这个项目的创作。在为期数周的时间里，帕特里克自由选择姿势，而赫林则同时用厨刀雕刻聚苯乙烯材质的雕塑。除此之外他还拍摄了帕特里克身体的每一寸肌理并印刷了数百张特写照片。然后赫林将被剪碎的照片黏贴在安置板上，并在雕刻好的骨架上拼凑这些碎块。在项目的进行过程中，赫林多次的拍摄包含了情绪的起伏、光线的变化、身体姿势的改变和印刷差异等等因素，这方方面面使得这个作品的时间感更为明显。

The photosculpture Patrick was made in 2004 using polystyrene, museum board and photographs. Herring talked to Patrick who he didn’t know beforehand into volunteering for the open-ended project. Patrick chose a pose while Herring used the kitchen knifes to carve a likeness from Polystyrene, a completely new approach to him at that time. He photographed every inch of Patrick’s body and printed hundreds of close-up detail shots of the body to size. In the studio he mounted each fragment of photos on museum board and attached them to the carved armature. Herring took the images over multiple sessions spanning weeks, to incorporate fluctuations, changing light, a changing body and differences in the printing etc to emphasize the time-based element of the project. 

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关于艺术家 / ABOUT THE ARTIST

奥利弗·赫林，1964年出生于德国海德堡，现生活并工作于纽约布鲁克林。他的作品涉猎甚广，从早期用聚酯带编织的雕塑，到实验视频、合成照片雕塑以及跨越全美的TASK活动——邀请参与者全面参与作品的塑造，为每一个人都分配了创作任务。 自1998年起，赫林时常邀请其他人加入自己的创作。从定格视频到精心制作的照片雕塑，这些密切的互动使得他的创作拓展到 了全新的领域，并在更为开放的TASK系列活动、派对和开放工坊中达到了顶峰。尽管形式各异，他的所有艺术项目都围绕着社交互动、人际关系以及趣味实验这三大核心要素展开。 

赫林曾在纽约现代艺术博物馆、纽约古根海姆博物馆、华盛顿赫希洪博物馆及雕塑公园、英国伦敦卡姆登艺术中心、日本京都艺术中心、中国深圳何香凝美术馆、“每日奇观”-第十届里昂当代艺术双年展、2010年度日本名古屋爱知三年展、纽约Performa 09行为艺术双年展等地举办展览。《Art 21》杂志第3期对他进行了特别报道。

Oliver Herring was born in Heidelberg, Germany in 1964. He lives and works in Brooklyn, New York. His ever-expanding body of work ranges from early sculptures knit with Mylar tape to experimental videos, complex photo-sculptures, and TASK events,which invite participants to entirely shape the work by assigning each other creative tasks to complete. 

Since 1998 Herring has regularly involved other people in his work. From stop-motion videos, scrupulously rendered photo-sculptures, and participatory performances, these intimate interactions have expanded his practice into new realms, culminating in the more open series of TASK Events, Parties, and Workshops. Though varied in form, his projects share a focus on social interactions, human relationships, and playful experimentation. 

Herring has exhibited widely including the Museum of Modern Art, NY; the Solomon R.Guggenheim Museum of Art, NY; The Hirschhorn Museum and Sculpture Garden, Washington, DC; the Camden Arts Centre, London, England; the Kyoto Art Center, Kyoto, Japan; the He Xiangning Art Museum, Shenzhen, China; the Xth Lyon Biennale, Lyon, France; the 2010 Aichi Triennale, Nagoya, Japan; Performa 09, NY; and many others venues. In 2009 the Tang Museum, Saratoga Springs, NY organized a 15 year survey of Herring’s work. Herring was featured on Season 3 of Art21/PBs’s program: Art21, Art in the 21st Century.

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